Tom Moore

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Tom Moore
8283 Hollywood Blvd.
Los Angeles, CA 90069
323 650-1441 323-804-0480
mooretommoore@yahoo.com

 

 

 

tom and family

 Tom & family at Yosemite

 

 

Tom Grand Marshall
Grand Marshall of the Purdue Homecoming Parade - 2019

Tom Machu Picchu
Tom at Machu Picchu

Tom Thailand
Tom in Thailand

Tom Thailand Elephant
Tom in Myanmar

Tom Boating
Tom boating with Rhys

Tom at Olympics
Tom at 2016 Rio Olympics


Tom & the Cast of THE ROYAL FAMILY-Ahmanson Theatre-2004

Corcovado-Rio, Brazil. (2011)

 

Iguacu Falls, Argentina (2011)

 

With Brothers Dale & Mike & Sister Kim-Ireland (2010)

 

Shane 2010

 

Lake Arrowhead (2011)

 


Trapeze (Take Off)-

60th Birthday Party

 

Trapeze Catch

60th Birthday Party

 

Tom

 

Tom & Family-Sailing in the San Juan Islands-Summer 2006

 

Tsar & Alexandra-Front Steps

 

2021

Since the last reunion:

Most of my time is spent between Los Angeles and Lake Arrowhead, California and NYC, NY

Activities: the Flying Trapeze, Water Skiing, Bicycling and the gym.

Travel: Myanmar, Morocco, India, Cuba, Scotland, Ireland, England, Australia

Professional Projects:  

The documentary film:  The Flight Fantastic, which had its first screening in Byron Bay, Australia, a film festival showing at the Sarasota Film Festival and premiered in LA at the Egyptian Theatre, and in NY at the Director’s Guild & Lincoln Center, and then opened in both cities for press and reviews. The film also screened at Purdue.
The website is:  Theflightfantasticfilm.com  and the Facebook page is: Facebook.com/theflightfantasticfilm
The film is now available for rent or sale at itunes, Amazon, Google Play, or Vimeo.

The book:  Grease,  Tell Me More…Tell Me More, (The Broadway phenomenon that started it all.) edited by Adrienne Barbeau, Ken Waissman and me has just been completed, and Chicago Review Press will be publishing the book next spring to coincide with the 50th Anniversary of the Original Broadway Grease.

Served on the Executive Board of the Stage Directors and Choreographers Society (the union for directors) and am now on the Advisory Board of the Yale School of Drama.

Closer to Indiana:   Lectured at the Ball Stage Theatre Dept. at the invitation of Joe Trimmer and Carol Straley, and was chosen for the Wall of Pride at WLHS.
Most fun of all, I got to be Grand Marshall at the Purdue 2019 Homecoming Parade.   

And like so many of us, spend a lot of time and thought dealing with the loss of friends and family that is now so much a part of our lives.  




2011

Tom 2011

Addendum: 2011

Work: Documentary (Untitled)-Now in Editing
Executive Board: Stage Directors and Choreographers

Travel (Recent): Cuba, Egypt, Israel, Jordan, Ireland, Brazil,
Argentina, Chile

Fun: Flying Trapeze, Waterskiing, Biking

Time: Los Angeles, Lake Arrowhead, New York
 


2007

West Lafayette High School led to Purdue University  (B.A.) which led to Yale Drama School (M.F.A.) which led to New York, which led to Los Angeles, which led to the world.

I have spent my career directing  theatre, film,  and television, lecturing and teaching. My professional resume follows.

Mostly, I have lived in New York and Los Angeles, but have had  wonderful opportunites to travel throughout the United States and all over the world.

It has been a profoundly lucky life, and I am very grateful.
 
Recently I was at Purdue for a reunion of theatre alumni.  While there I visited the grave of John Freehafer.  

I was once again astounded at how long ago he died, but I was also remarkably grateful for the lives we’ve been able to lead over these many, many years since West Lafayette High School.

When I toured the new high school a while back, I found it impressive and satisfying that the old high school had been totally absorbed into the center of the new one.  The old had ceased to exist in the service of something greater.  What could be better?  (The old theatre was in part now a wrestling room.;  sort of ironic, as I had dropped out of wrestling to pursue the theatre, which was painful at the time, but in retrospect, a good choice!)

The Man Who Came to Dinner -- WLHS 1960


We keep reinventing ourselves and it has been a pleasure to see the lives described in this amazing web site Jim Dammon has provided for us. (It’s hard to believe that we who struggled to learn basic typing skills at WLHS are now using those skills on computer keyboards, isn’t it?)

A number of years ago there was a musical in New York called IS THERE LIFE AFTER HIGH SCHOOL?   It seems the answer is yes.
 
Although I continue to direct, and have never tired of travel, about 10 years ago I discovered a new passion in the Circus Arts, and have spent a good part of those years learning the skills of the flying trapeze.  It became a large part of my life. (I have included a couple of photos from my 60th Birthday party which took the form of a circus, during which I and a few of my group performed on the flying trapeze.)

I see no reason not to continue to do it all; so on to the next adventure.

===============================================================

           TOM  MOORE -  Professional Resume


In the theatre, Tom Moore is best known as the director of ‘NIGHT  MOTHER (with Kathy Bates and  Anne Pitoniak) which won the Pulitzer prize, and for which he received his second Tony nomination, and for the original GREASE,  which ran for eight years and is one of the longest running shows in the history of Broadway.  Over the years this production introduced Barry Bostwick, John Travolta, Richard Gere, Peter Gallagher, Greg Evigan, Treat Williams, Patrick Swayzee, Marilu Henner, Adrienne Barbeau, and countless others who now work steadily in theatre, film, and television.)  His most recent Broadway production was MOON OVER BUFFALO with Carol Burnett .  A documentary, MOON OVER BROADWAY by Pennebaker-Hegedes, which followed the production from rehearsals to the Broadway opening, has been played in theatres, on television, and is now on video and DVD.  His first Tony nomination was for the direction of the Big Band Musical OVER HERE, which brought the Andrews Sisters out of retirement.  Other Broadway productions include the critically acclaimed revival of ONCE IN A LIFETIME (with John Lithgow, Deborah May, Treat Williams, and Jayne Meadows) at the Circle-in-the Square, DIVISION STREET (with John Lithgow and Keene Curtis), THE OCTETTE BRIDGE CLUB (with Peggy Cass, Elizabeth Franz, Nancy Marchand and Anne Pitoniak), A LITTLE HOTEL ON THE SIDE (with Tony Randall and Lynn Redgrave),  and the short-lived, but legendary FRANKENSTEIN at the Palace Theatre.


Mr. Moore has a long time association with the Mark Taper Forum in Los Angeles where he directed Feydeau’s A FLEA IN HER EAR (with Rene Aubujenois, Jeffrey Tambor, and Kenne Curtis), DIVISION STREET (premiere), A MONTH IN THE COUNTRY by Turgenev (with Michael Learned and Paul Shenar), WILD OATS (for the Olympic Arts  Festival,) ‘NIGHT MOTHER, and Ayckbourne’s HENCEFORWARD (with Jane Krakowski and John Glover). In Los Angeles he also directed HAY FEVER at the Ahmanson Theatre (with Celeste Holm and Charles Kimbrough) and ONCE IN A LIFETIME  in a special benefit for the Los Angeles Classic Theatre Works (with John Lithgow, Marsha Mason, Amy Irving, Helen Hunt, Ed Asner, Robert Foxworth), where he also directed THE PENTAGON PAPERS.  At the American Conservatory Theatre in San Francisco, Mr. Moore directed KNOCK KNOCK, HOTEL PARADISO, THE LITTLE FOXES and Chekhov’s THE THREE SISTERS.  Also in San Francisco, he directed THE BOYS IN AUTUMN with Burt Lancaster and Kirk Douglas.  He directed LOOT at the Tyrone Guthrie Theatre in Minneapolis; ONCE IN A LIFETIME (with Ed Herman and Joan Pape) at the Arena Stage in Washington D.C.; OUR TOWN (with Geraldine Fitzgerald as the stage manager), HAY FEVER (with Celeste Holm & John Glover), and THE MADWOMAN OF CHAILLOT (with Kathryn Helman) at the Williamstown Theatre Festival in Mass.; THE IMPORTANCE OF BEING EARNEST (with Ellis Raab, Victor Garber and Harry Groener), FALLEN ANGELS, and the world premiere of  THE LADY WITH ALL THE ANSWERS at the Old Globe Theatre in San Diego; TRAVELER IN THE DARK (with Sam Waterston, Phyllis Somerville and Hume Cronyn) and ‘NIGHT MOTHER  at the American Repertory Theatre in Boston.  He has directed two productions of Chekhov’s THE CHERRY ORCHARD, one at the La Jolla Playhouse (with Lynn Redgrave), and the other (with Marsha Mason) was the premiere stage production at the LENSIC Center for Performing Arts for Santa Fe Stages.  He also directed the Brian Friel adaptation of A MONTH IN THE COUNTRY for Antaeus Theatre Company.

Mr. Moore’s most recent stage production was WHEN SOMETHING WONDERFUL ENDS, which was developed at the Ojai Playwrights Conference and then played at the Humana Festival at Actors Theatre of Louisville and at the Interact Theatre in Philadelphia.

He has also taught and directed at the State University of New York at Buffalo, Brandeis University and the University of London, England.  He was artistic director of the Peterborough Players in New Hampshire, and he has lectured at the Seminar in American Studies in Salzburg, Austria.  He directed the National touring companies of GREASE and ‘NIGHT MOTHER, and presented ‘NIGHT MOTHER at the Spoletto Festival in Italy.

On film, Mr. Moore directed ‘NIGHT MOTHER  with Sissy Spacek and Anne Bancroft, and his short film JOURNEY, made for the American Film Institute won two international film awards.

On television, he directed  Disney’s first original musical for television, GEPPETTO, starring Drew Carey and Julia Louis-Dreyfuss; ER (Emmy nomination), MAD ABOUT YOU (Emmy nomination), L.A. LAW (Emmy nomination), HUFF, MISMATCH, GILMORE GIRLS, ALLY MCBEAL, FELICITY, LATELINE, NOTHING SACRED, DHARMA AND GREG, SUDDENLY SUSAN, SOMETHING SO RIGHT, CYBILL, PRIDE & JOY, THIRTYSOMETHING, THE WONDER YEARS (The episode “Square Dance” won the Humanitas Prize), ALMOST GROWN, CHEERS, PICKET FENCES, CIVIL WARS, NORTHERN EXPOSURE, THE CLASS OF ‘96, GOOD COMPANY, BOSTON COMMON, MAYBE IT’S ME, THE COURT, the late night FRIDAYS, and the pilots of FIRST YEARS, 50-MINUTE MAN, AND THE FLAMINGO KID.  He also directed the television movies MAYBE BABY and FINE THINGS.

Mr. Moore is presently on the executive board of the Society of Stage Directors and Choreographers.

Mr. Moore was a fellow at the American Film Institute, and he holds a B.A. from Purdue University and an M.F.A. from the Yale University School of Drama.  He was also awarded an honorary Doctor of Fine Arts by Purdue University.

As an avocation, Mr. Moore is also involved with the Circus Arts, and spends as much time as possible on the flying trapeze.